6-8 REPETITIVE METAPHORS IN LIN QUAN GAOZHI– SHANSHUI IN CHINESE CONTEMPORARY ART
Author : Zeng Dongping 曾东平, Lin Jiangquan 林江泉
Page Range : p.78-89
A short visual feature on six contemporary Chinese artists who reinterpret Guo Xi’s treatise Linquan Gaozhi in oil painting, photography, ink and other media. Drawing on Walter Benjamin’s critique of linear history, the authors read the internal structure of shanshui in these works as a system of repeated metaphors.
Linquan Gaozhi; contemporary Chinese art; metaphor; Walter Benjamin; Guo Xi
本栏目以图像为主,介绍六位以油画、摄影、水墨等媒介重新诠释郭熙《林泉高致》的中国当代艺术家。作者借用本雅明对线性历史观的批判,将这些作品中山水的内在结构解读为一个反复出现的隐喻系统。
《林泉高致》; 中国当代艺术; 隐喻; 本雅明; 郭熙