Abstract
A personal essay in which the painter An Haifeng reflects on the principle “one is all and all is one” as a key to Chinese mountain and water painting. Drawing on Zong Bing, Shitao, Zhuangzi and the idea of tianren heyi, as well as Western parallels, he relates the principle to self-cultivation and the materials of Chinese painting.
Keywords
unity; tianren heyi; self-cultivation; materials of Chinese painting; East–West comparison
摘要
画家安海峰的随笔，以“一即一切，一切即一”为理解中国山水画的关键。文章援引宗炳、石涛、庄子及“天人合一”思想，并参照西方的相似观念，将这一原则与修身以及中国画的材料与形式相联系。
关键词
一即一切; 天人合一; 修身; 中国画材料; 中西比较